Thirty small studies of one liquid shape. Most are bad, two are the next campaign.
Blog(06)
How Eclipse got its rhythm: one hard cut every 18 frames, and a single held beat of silence.
The identity is a system of margins and one paper stock. The mark came last, and then we removed it.
Notes on the (Re)frame poster series: matte ink, gloss varnish and what a press operator taught me.
Three passes of colour on Beyond the Horizon, and why the sky is the last thing I touch.
A short list of design rules that are useful, until the moment they aren't.